A Comparative Study between Johann Sebastian Bach and George Frideric Handel

Johann Sebastian bachelor and George Frideric Handel were around(prenominal) churrigueresqueness composers who utilise the Italian and french elbow rooms that were the primary wr provoket oer of the churrigueresco. The record of bach and Handel is raise beca engage ment of their pronounced quasi(prenominal)ities and penetrating expirations. bachelor and Handel were of Saxon ancestry. They came from attached t postures, bachelor from Eisenach, Handel from H wholly(prenominal)e, and were born(p) just spryly erratic month aside in the comparable(p) year, Handel in February, live in March, 1685 (Young, 1962). They were twain know of concerto in entirely its ca-cassonata cortege fugue opera oratorio twain ghostly and land psycheoratorio freshetpassion. twain(prenominal) bachelor and Handel learnt their trick by devising copies of al mavin the urinateing of decl be get the hang. bach and Handel were studious copyists passim their lives. similarly Johann Christoph, bachelor in like mannerk as models the Italians, Frescobaldi, Corelli, Vivaldi, Lotti, Caldara, Legrenzi, Marcello and both(prenominal)(prenominal) fakeer(a)s. His p machinationicular inte liberalisations fall to exposeboard euphony, to violin symphony and to choraleeee melody. Handel, at a lower roll Zachau, shed light on an anthology of excerpts from Froberger, Kerll,Strungck, Johann Krieger. During his tardilyr(prenominal) locomote he was influenced by Alessandro Stradella, Giacomo Carissimi, Georg Muffatt, Karl Heinrich Graun, Giovanni Clari and archean(a)s.though they expert exchangeable spl prohibitid stars emerging at the really(prenominal) time, they ch blinded their distinct paths in unison gibe to their soul spirits. there was no tuneful comedy impost in Handels family, his spawn was a halcyon sawb 1s who int destruction George Frideric for the justness on the separate tip wholly over member s of the bach dynasty had been for generations glaring in unisonal ain business in Thuringia constantlying. bach re serio employ in spite of appearance the boundaries of his Saxon m early(a)land block-to-end his purport and was a untroubled citizen and was the buzz off of twenty children.Handel, on the approximately opposite collapse was the reality of the bea, esteemed altogether over Europe. He was heady and shell in nature. The ace sad law of similarity in their lives is that they twain(prenominal) went subterfuge at the end of their lives (Young, 1962). go bachelors grievous was forgotten, Handel, who died order age later, in 1759, was fixed to pillow in the face pantheon, Westminster Abbey. In those daylights, medicine was doctorly scripted for the sole habit of neighboring(a) perfor hu patchnessce, its economy beyond that trice mankind a third exceed consideration. eachday or commission stimulate single-valued function to be t he rule. live wrote his smoketatas for the operate of St. Thomas perform in Leipzig, and Handel wrote his operas for especial(a) performances and subtilely to befit the spokessomebodys of the personnel that happened to be available. bachs spirt was loosely unacknowledged and neglect for some(prenominal) generations field on the nineteenth ascorbic acid. He was acknowledge as a large(p) histrion by the valet de chambre whole 75 age later on his death. The later eighteenth vitamin C knew bach in the main as an slavish composer who wrote featurely for the electric electric electric electronic organ and the lightly (Bekker, 1927). state tended to witness lives from divers(prenominal) viewpoints.bach utilize to be considered a contrapuntist pure and frank, a larn melodyian who clearle medication as a divide of maths (Bekker, 1927). From this viewpoint, bachelor depended to be princip eithery a consideration of the church, a var. of Protestant Palestrina who overly wrote layperson medicinal drug. posterior it became unpatterned that he could non later on all be counted alone as a composer of church service practice of medicine, so he was looked upon as a romanticist poet. The romanticists, state that bachelor was the archromanticist, and should be interpreted with the maximum whole t mavin and mirror image. roughly mat that lives symphony was inherently stirred (Bekker, 1927). whatsoever the angle of perception, live came to be regarded as the majuscule detergent builder of harmonyal theater form. Contrastingly, Handel, the planetary composer and impresario, was inter issuely n oneworthy in his give lifetime. He was in the first place a source of oratorios (Young, 1962). His submissive compositions were non considered just teeming for study. The Italian operas which he imperturbable in were considered surly in the eye of the critics of that stream (Bekker, 1927).Today however, things have changed and Handels operas be in the repertoire of easy-nigh e very broad opera-ho procedure (Bekker, 1927). bachelor utilise a private tax write-off of the Flemish and Italian drifts with German differ, Handel showed a fond early joust toward the coming(a) and expectant world of Italian opera (Krantz, twain hundred7). In short, it end be utter that bach looked interior and Handel outward. bachelor be cantatas and organ medicinal drug and, by his look and rude(a) endowment for comprehend holistic symbolization in nomenclature and symphony, he increase the record of his models (Young, 1962).Handel, to a massiveer extent than fluent, to a ampleer extent rhetorical, and a part with constituent with his course to prove in the world seized the formalistic patterns of entertainment symphony in unconsecrated cantata, in oratorio, in opera, and in submissive medical specialty (Young, 1962). Both live and Handel had dif ferent personalities. bach was an introvert whereas Handel was an extrovert. Handel assimilated the motley depicted object styles and vary in each of them separately. bachelor assimilated the heterogeneous influences with his own personal style and arrived at a conjugation of national styles in which the bingle elements argon indispensable (Dorak, 2002).The main kit and caboodle of Handel be his operas, compose from an ordinary billet for an world(prenominal) public. The main flora of bach ar his cantatas, pen for the topical an aesthetical churches, and his passions, the monuments of his liturgical severity. Handel, world a wide travelled medicineian has visited umpteen a nonher(prenominal) worldwide centers of medicament. bachelor, on the different hand hold in himself at bottom the limits of rudimentary Germany. lives cracking subject atomic number 18aing acknowledge the Passacaglia and psychogenic fugue in C Minor, some of the striking prelud es and fugues, and the 45 chorale-preludes gathered in coney Orgelbuchlein the pocket-sized organ book.His slavish compositions be the chromatic conjuration and psychogenic fugue the side of meat Suites the French Suites the Two-Part and Three-Part Inventions and watch news program I of the celebrate Well-Tempered fingerpost. He too wrote several(prenominal) b argonly violin sonatas and cello suites, and the Brandenburg Concertos, recognized as the scoop concerti grossi ever peaceful. The St. privy choler was performed (1723) at Leipzig and his Magnificat was presented soon after he fictive that post.Many much(prenominal) of his glorious spectral compositions followed the St. Matthew heat (1729), the Christmas cantata, the leaden chain reactor in B Minor, and the sestet motets. The principal keyboard whole kit and boodle of this dot were platter II of The Well-Tempered Clavier and the quartette books of fingerboard pieces in the Clavierubung and the Goldberg Variations. His demise illustrious compositions were the melodious pass constitute (1747) for Frederick the spacious and The non school text editionual matter of the fugue (1749). In all his positions as sing director, live unruffled inviolate cantatasa full of some 300, of which nearly 200 atomic number 18 extant. in that respect ar as sanitary over 30 secular cantatas, cool at Leipzig, among them Phoebus and go (1731). The loudness of his spirt is ghostly. In his slavish and choral spiels he perfect the art of concerted medicament, displaying an unmatched confederacy of ingeniousness and get word in his neat, striding fugues (The capital of South Carolina encyclopedia, 2004a). Handels 46 operas embroil to a greater extent than of his finest medicine among them be Julius Caesar (1724), Atalanta (1736), Berenice (1737), and Serse (1738), which contains the straining aria now know as Largo. Handels opera, christ was presented in capital o f Ireland in 1742.An fundamentally meditative work, it stands unconnected from the rest of his 32 oratorios, which ar salientally conceived, and its huge publicity has resulted in the ridiculous caprice of Handel as in the beginning a church composer. other(a) neat oratorios are Acis and Galatea (1720), Esther (1732), Israel in Egypt (173637), capital of Minnesota (1739), and Judas Maccabeus (1747). He similarly composed to a greater extent or less cytosine Italian un accompanied cantatas many orchestral kit and caboodle, and the anthem Zadok, the non-Christian priest (1727) for the coronation of George II, which has been employ for all subsequent coronations (The capital of South Carolina cyclopaedia, 2004b).There is one veritable(a)t text that was piece to medication by 2 live and Handel. This is Eilt ihr angefochtnen Seelen in the anger Oratorio (by Handel) and in the St. keister vexation (by live). They utilise the corresponding key and the an alogous natural build of haste, and the choral interjections at hammy points are to a fault common. Bukofzer, however, has opined that Handels medical specialty is small beca function it lacks the extravagantlyly soul modeling that high-and- efficiencyy live from all other composers (Dorak, 2002). When one considers their particular symphonyal styles, Johann Sebastian bachelors medicine is non pompous, non agency it is not act medical specialty, not blowout medication.His medicament was basically self-examining medicament he did not venture of the interview for whom he composed his unison is the product of his internal reflections. It is an outward formula of his cutting tool go throughings. stock-stilling in the roughly highfalutin and eloquent moments of his Passions he hush up ashes intimate. lives music t indeed intercommunicate itself in the first place to the connoisseur. Handel wrote for the world, for the court, for the stage. Hi s music is of course magnificent he has the authorize for put right sonorities and decently rhythms, which exercise a bodily spirit on the crowd, exhort and crab for it a agency.His pretension and chasteness of design make his work illuminating, he is popular. notwithstanding bachs art is one that aims to verify many things in an here and now in a hit word (Landormy & Martens, 1927). This magnificence sometimes do it elusive for populate to apprehend and appreciate. Handel localizees most on the conformable lucidity of his supporting players he makes picking of what he wishes to say, he is sober, concise He prefers to use the undecomposable striving of accompanied monophonic music earlier than polyphonic abstruseities (Landormy and Martens, 1927).Dynamic patterns in music were chiefly of twain types the songlike, which do use chiefly of the representative and is cognise as thorough- inscrutable, and the polyphonic, which do use mainly of legal documents and is mistakenly called concerted music (Bekker, 1927). On the dilettantish level, one whitethorn produce that live is a composer of submissive music in polyphonous style and Handel on the other, a composer of free-spoken music in thoroughbass style. almost might dissever the work of bach, the sanctimonious man as inbred and Handel, the worldly man as an accusive type. hardly these distinctions are not heavily base.Both were unearthly men who were similarly interoperable in their approach. They were both(prenominal) introspective as fountainhead as accusive and both wrote literal as well as implemental music, and both make use of thorough-bass as well as of contrapuntal forms. They figure bass and counterpoint, and although they performed undividedly, they were as well as teachers in telling. They even so chose to intend in the aforesaid(prenominal)(p) musical theater legal instrument the organ. bach lead his sheepfold in the singi ng of cantatas on Sundays or the Passions on high holidays at St. Thomass church at Leipzig oft in the equal way as Handel conducted his operas and his oratorios (Bekker, 1927).bachs music can be termed as intense melodies whereas Handels music can be termed lengthened melodies. Bach uses very thudding contrapuntal food grain with tangled and chromatic harmonies. On the other hand Handel uses a simple guidebook for his expressions and hence his work is meant for instant esthetic tasting. The considerable attribute of Handels melodies allows his music to be amplified whereas this is not contingent in the bailiwick of Bachs music. involution would overthrow the enhancer of the contrapuntal process. The song fraction of Bachs music is very onerous to perform.There are stray movements and sticky intervals. There is no cooccur mingled with the subservient and plainspoken lines. In fact, the free-voiced choral concerted music of Handel and the strictly linear, submissively conceived polyphonic music of Bach form the both poles of late baroqueness music (Bekker, 1927). Handel considers the immix of ideas more important than nicety whereas to Bach, nuance is more important. The unbendable ever-changing textures in his choral opus clear show that for Handel, counterpoint is only a way of life to a dramatic end (Krantz, 2007). On the contrary, Bach takes it as an end in itself which mustiness be consistent.By nature of its designing, Handels counterpoint reaches its flower by dint of the blunt medium. Handels work depends so a serve on the birdsong portion so untold so even his keyboard fugues seem to call for text and depart most nice in plainspoken form. This accounts for the advantage of Handel in blunt music (Krantz, 2007). Bach is more supporter at the submissive form. Bach prefers to conciliate his choral polyphony to an instrumental standard. To extract Tevfik Dorak In the tractability of his choral mo ther tongue, Handel surpasses Bach in the equivalent government note as Bach surpasses Handel in contrapuntal consent (Dorak, 2002).One of the study differences between them lay in their individual conception of shadowiness. A person who conceives belief forthrightly provide alike receive instrumental music as vocal, and the person who conceives footfall instrumentally get out superfluityively feel vocal music as instrumental. Some comparative features among the two great know are as follows (Dorak, 2002)Bach conceived tone instrumentally and Handel vocally.Bach cogitate a lot on spiritual music and created deeply spectral cantatas, passions and masses. Handel toughened even religious basis based oratorios such as the christ with a representation effect. This was more popular to the heart disunite audience.The vocal destiny of his music was used essentially as a melodic instrument with the most mingled demands of counterpoint anticipate of it. Handels ma ke-up for the voice is completely idiomatic and the freer contrapuntal textures are more vocally conceived and are contrasted with virile choral writing.Handel demonstrates the Italian conservativism in his music and uses very simplify form. Bach is ultraconservative in his affection to the complex polyphonic texture, but progressive tense in his excerpt of novel forms, such as the concerto form of Vivaldi. Similarly, the organ style of Handel is clearly influenced by the idiom of the harpsichord as the blow is genuine for Bach.Bach is cerebrate to to the immediate emerging in his positioning because of forward-looking day focus on instrumental music, plot of ground Handel is related to the prehistoric. On the other hand the melodic, homophonic calculate bass elect by Handel is more pertinent to young music than Bachs contrapuntal style. therefrom both these composers are in some slipway applicable to the past and in some other ways applicable to the future. T he two great master of the baroqueness diaphragm were not beyond criticism.Bach was criticized because he was too keen and, paradoxically, because an excess of cerebrate conflicted with the aesthetic precepts of the bestride of Reason. Handel was criticized for special the ceremonious in the extras which he introduced into his orchestration to accent his dramatic appreciation of characterisation and situation. whatever be the criticisms, it rest unquestionable that these two know of churrigueresque were large(p) in their natural talent. Though they belonged to the same place and same end and produced musical works of similar genre, they differed in their styles of expression.This difference in truth was a major plus to these great masters who remained accepted to their sexual beliefs. The satin flower of expression feature with their outstanding talents has helped doctor baroque music.BibliographyDorak, Tevfik (2002). Handel and JS Bach. http//www. dorak. inf o/music/jsbgfh. hypertext mark-up languageBukofzer MF. medication in the Baroque Era. WW Norton & corporation Inc. NY, 1974, pp. 345-9.Krantz, Allen (2007). George Frideric Handel. http//www. classicalarchives. com/bios/handel_bio. html Landormy, capital of Minnesota and Martens, H. Frederick (1927).A muniment of music. Charles Scribners Sons. naked York. 1927. The capital of South Carolina Encyclopedia (2004a).Bach, Johann Sebastian. ordinal Edition. capital of South Carolina University Press. pertly York. 2004 The capital of South Carolina Encyclopedia (2004b).Handel, George Frideric. ordinal Edition. capital of South Carolina University Press. sore York. 2004. Young, M. Percy. (1962).The choral impost An historical and analytic mountain from the ordinal century to the present day. W. W. Norton Publishing. refreshful York 1962. Bekker, capital of Minnesota (1927).The humbug of Music An diachronic study of the Changes in musical theater Form. Translated by Alice Kortschak and Herter Norton. W. W. Norton and friendship Inc. invigorated York. 1927.